Think Good

"Fest and boutique distributors should think good about this title"

“An impressively shot, tension-filled drama.”

“Featuring strong performances by French-Canadian thesps Monia Chokri and Niels Schneider."

"Think Good carves out an interesting niche within the now crowded genre of much-needed takedowns of patriarchy."

"Monia Chokri, impeccable"

“A very powerful film, wonderfully performed by Monia Chokri and Niels Schneider, deserved to be in competition." 20 Minutes Available in mailing “A powerful final shot closes the movie on a strong note.” Roger Ebert Available in mailing “Serious subject, perfectly well described and mastered." aVoir-aLire Available in mailing "A drama in the form of a captivating social thriller under permanent tension." La Tribune de Genève Available in mailing “Géraldine Nakache succeeds in crafting poignant scenes"

“A very powerful film, wonderfully performed by Monia Chokri and Niels Schneider, deserved to be in competition."

"A beautiful story of female emancipation."

"Géraldine Nakache shines with Think Good."

“A powerful final shot closes the movie on a strong note.”

“An engrossing portrait of a troubled marriage.”

“Chokri's volatile, layered performance carries the film.”

“Serious subject, perfectly well described and mastered."

“A work magnificently carried by the duo formed by Monia Chokri and Niels Schneider."

“Breathless and tense.”

"A drama in the form of a captivating social thriller under permanent tension."

"Inspired, favouring sobriety over the spectacular and excess."

"Think Good carves out an interesting niche within the now crowded genre of much-needed takedowns of patriarchy."

"Far from the comedic register she had accustomed us to, the director makes a stunning entrance into the dramatic genre."

"A story that cleverly blends social and religious reflections."

“A very powerful film, wonderfully performed by Monia Chokri and Niels Schneider."

"A high-tension drama that leaves you both deeply moved and spellbound."

"Through skilfully placed flashbacks and a nervous direction, Géraldine Nakache intelligently dissects the mechanisms of control within a relationship, plunging us – as if holding our breath – into the trap that is closing in..."

"The film’s success lies in its almost clinical approach to psychological violence. The director focuses on invisible violence rather than spectacular displays."